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FLIPSIDE #41, Spring 1984 ------------------------- MOVIES CHRISTINE Car comes to life, Car kills people! Boo!! Scary!! The only scary thing about this is that it has just made Stephen King even Richer than he already is, thus provoking him to crank out more stupid stories which will be made into stupider movies that tons of stupid people will pay to see. Even Carpenter couldn't save this one. STAR 80 The Bob Fosse cult film about the life and death of Playmate Dorothy Stratten. Mariel Hemmingway is a Dead (yuk! yuk!) Ringer for Stratten which makes this much more believable tan the T.V. exploitation version with Jamie Lee Curtis. This contains stuff you'd never see in a T.V. version like Nudity, Language and the Murder/Rape scene, only it should have been more Graphic. "STAR 80" is the best of the lot this time out, which isn't saying much. Too bad there wasn't a film about Marilyn. SUDDEN IMPACT Never thought I'd be reviewing a Clint Eastwood flick but it's actually one of the better films this time out. Kinda predictable, but Eastwood has some good one-liners as he tracks down a killer whose victims all have their balls shot off. Lots of violence. Too bad it wasn't rated R instead of PG. LIQUID SKY This is the underground rage in N.Y.C. at the moment, playing to sell-out crowds. This is more hype than anything, so what's all the fuss about. It's just an Artsy-Fartsy New Wave piece of pap with a supposedly Chic cast overacting boredom & disgust for life. It tries to be about an Alien life form that feeds off the brain at the moment of experiencing heroin rush or orgasm. But the dialogue & special efffects, or the lack of, make this just another unbelievably terrible movie. The budget must have been minimal as the Flying Saucer in this makes the one in "PLAN 9" look like the alien ship in "Close Encounters." Even tho' this is R it contains little violence and not "one" spec of blood. MORTUARY This "sucks" so bad you can't believe you actually paid to see "CRUD" like this. There are no redeeming values in this one whatsoever. GLENN DANZIG